Field’s Chromatography: or Treatise on Colours and Pigments as Used by Artists, by George Field. An entirely new and practical edition revised, rewritten and brought down to the present time by Thomas W. Salter. London: Winsor and Newton, [n.d.]. Circa 1869.
Great for artists and art historians, this work discusses how to make pigments of all types. It also tells the artist what would be good “on the palette” and what should be avoided.
Thanks to Jacqueline Jeremy for post-processing this project.